The Pedra De Xangô Park: Asserting Afro-Brazilian Architecture and Geography
Keywords:
Counter-Colonial Architecture, Afrodiasporic Photography, Pedra de Xangô Park, Border ThinkingAbstract
The purpose of this paper is to present the counter-colonial narrative interwoven in the architecture of the Pedra de Xangô Park from a theoretical perspective. It is a result from fieldwork based on results of the Master Thesis “Pedra de Xangô: a sacred Afro-Brazilian place in the city of Salvador” and on preliminary data and impressions of the ongoing Ph.D. Dissertation research “Spiritual Governance: the Afro-Brazilian sacred present in the construction of the Pedra de Xangô Park memorial”. To discuss the subject, three paradigmatic experiences will be introduced, hopefully contributing to the understanding of the utmost expression of symbology, representation, and ancestral power concentrated in the Afrodiasporic territory. Stuart Hall's text, “Thinking the diaspora”, the testimonies from Sangodele Ibuowo and Oyeniyi Oyedemi, members of Aláàfin Òyó's entourage, and from a candomblé adept will be analyzed. The research method used is a Afrodescendant method, so that the research transgresses the rules compulsorily prescribed by hegemonic knowledge/practices. The norms here are dictated by Xangô, the King, the Orixá of ethics, truth, and justice, to bring into view Afrodiasporic photography, being a product of black, political, and religious geography present in the territory of the cities.