The pornification of work: a reflection from Paul B. Preciado

Authors

  • Marcos Namba Beccari Arts, Communication and Design Sector of the Federal University of Paraná, Brazil

Keywords:

Theory of work, COVID-19, Neoliberalism, Paul B. Preciado

Abstract

This is a contribution to the twenty-first edition of V!RUS, “We have never been so digital”, addressing the link between digital technologies and precarious works. I propose a theoretical review about what Paul B. Preciado called “pornification of work”, with the purpose of pointing out the prominence of this notion in the context of the global pandemic of 2020. To delimit the concept, I point out its relationship with the idea of “biopolitics”, on the one hand, and its distance from the “post-Fordism” theorists, on the other. In the sequence, I explain how Preciado associates pornographic production with current ways of working. Finally, I argue that the pornification of work emerged in the pandemic situation under the sign of a multitude of disposable and available bodies. By specifying this dimension of the global pandemic crisis, my intention is to highlight the predatory character that the neoliberal economy has recently acquired and, by extension, the general precariousness of working conditions.

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Author Biography

Marcos Namba Beccari, Arts, Communication and Design Sector of the Federal University of Paraná, Brazil

He has a degree in Graphic Design, a Master's degree in Design and a Ph.D. in Education. He teaches at the Arts, Communication and Design Sector of the Federal University of Paraná, Brazil, and its Graduate Program in Design. He works particularly with visuality studies, discourse studies, and critical-philosophical studies in Design. He leads the Group of Discursive Studies in Art and Design and currently develops a research project about sexual technologies.

Published

2020-12-19