Paradoxes of photorealistic images and architectural representation
Keywords:
Project presentation, Photorealistic digital picture, Digital processes, Architecture, Three-dimensional geometric modelingAbstract
This paper addresses the topic of digitally produced photorealistic pictures as a way of representation recurrently used in the fields of architecture, urbanism, and design. The main developments arising from the appropriation of photorealistic pictures for the presentation of projects are discussed, taking into account the complexities of the contemporary condition highly influenced by digital technologies. These pictures have a prominent place in the construction of information in architecture, as they perform the function of anticipating reality and being a representation of the real. The main goal of this paper is to discuss how photorealistic pictures have currently been influencing the communication and representation processes of architectural design in contemporary times. From a methodological point of view, this article is the result of qualitative research based on literature review, which underlies a reflection on the impacts of photorealistic digital pictures in the fields of expression and representation of the architectural design. Finally, it concludes that, due to their intrinsic characteristics, photorealistic images have established a new paradigm of architectural representation that demands from professionals an ethical and moral position regarding the paradox between the valorization of the image and the legitimate expression of the architectural essence.