Embodied architectural remembrances: “Domum” performance

Abstract

This research seeks to understand to what extent the development of bodily experience through artistic practices becomes fundamental in the understanding of being before its possibilities of action in the world. Daily, the body is in dialogue with the environment and shares sensations throughout its existence, being impossible to separate them. It is understood that art can be seen as an expression willing to reinforce the relations between the subject and the sensitive universe through subjective experiences that allow to register the memory experienced, to instill memories and to re-signify objective and paradigmatic concepts. Thus, the specific objective of this article is to analyze the artistic experiment titled "Domum", which uniting performance, photography, video, music and architecture, proposed to highlight the potencial of an abandoned space in the city of Aracaju/SE and its possibilities of experience and perception.