Museums have never been (so) digital

Authors

  • Renato Silva de Almeida Prado Faculty of Architecture and Urbanism, University of Sao Paulo, Brazil

Keywords:

Museum, Exhibition, Executive design project, Digital, Internet

Abstract

The social distancing required by the coronavirus pandemic has increased the interest in remote activities, and the digital experiences provided by museums and other cultural institutions to promote their historical and cultural heritage have been put to the test. In a sudden change, digital experiences have become the main alternative for these institutions to perform this task. Digital catalogs, 360º videos, virtual tours, video and image collections, among others, have become more popular than ever. However, the amount of artistic production in digital formats available at museums did not meet the demand of an essentially digital audience. The interest shown at the beginning of the pandemic was sustained for only two weeks and then fell back to pre-pandemic levels. Then present essay aims at identifying factors that may have contributed to the lack of interest in digital experiences available to visitors. Additionally, it establishes relationships between these and analogous practices used in the physical spaces of cultural institutions, and specific features of the digital space. With that, we seek to encourage reflections on these experiences and support their improvement in this new context.

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Author Biography

Renato Silva de Almeida Prado, Faculty of Architecture and Urbanism, University of Sao Paulo, Brazil

He is an architect, has a master's degree in Communication and Semiotics, and is a doctoral student in the Graduate Program in Architecture, Faculty of Architecture and Urbanism, University of Sao Paulo, Brazil. He researches the interaction and engagement of visitors to digital and hybrid – physical and digital – exhibition spaces. Currently, he is part of the group Aesthetics and Memories of the 21st Century, at the same institution. He designed the digital interface of several collections, as well as applications, installations, websites, and systems for institutions and exhibition spaces.

Published

2020-12-19